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Kluwer
"et in arcadia ego" in John Fowles's a maggot
Vol. 44
Raymond J Wilson
A phenomenological theory of literary creativity
Vol. 92
All my sons
Vol. 112
Causes of unhappiness in Dickens' Little Dorrit and Fowles' The French Lieutenant's woman
Vol. 62
Existence and historical fabulation
Vol. 99
Gail Godwin
Gardens in Stoppard, Austen, and Goethe
Vol. 78
Heidegger's "The origin of the work of art" and the phenomenology of meter
Vol. 69
In first century Rome
Vol. 85
James Joyce's "Ivy day in the committee room" and the five codes of fiction
Vol. 109
Measure or excess
Vol. 97
Metaphoric and metonymic allegory
Vol. 42
Metaphoric and metonymic symbolism
Vol. 75
Ricoeur's "allegory" and Jakobson's metaphoric/metonymic principles
Vol. 41
Striving and accepting limits as competing meta-virtues
Vol. 96
The broken allegory
Jerre Collins, Raymond J Wilson
The comedy of the false apperception
Vol. 56
The disenchantment of the sky in Tom Stoppard's jumpers
The pain of the seer in the civilization of the blind
Vol. 106
Raymond J Wilson, Jerre Collins
The phenomenology of ethical criticism
The philosopher's pupil, Iris Murdoch's post-modern allegory of the creative process
The secret place of literary creativity in John Fowles's
Vol. 51
The source, form, and goal of art in Anton Chekhov's The sea gull
Time in post-modern fiction
Vol. 86
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