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(2018) Filosofický časopis 66 (3).
In this article, points of contact between Mukařovský’s and Heidegger’s thinking about art are investigated. These points of contact are identified in the conception of deliberateness and non-deliberateness in Mukařovský and in the contest between the world and the earth in Heidegger. It is argued that these conceptions point to the treatment of a work as continually polarising; polarisation is related to the problematic of the durability of a work of art and of great art, so its character is ultimately normative. These results are finally briefly related to the question of art criticism.
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Full citation:
Lipták, M. (2018). Heidegger, Mukařovský a umelecká kritika. Filosofický časopis 66 (3), pp. 361-381.
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