Jason Alvis


with Staudigl, M. , Louchakova-Schwartz, O. (eds) , 2022, Religions 13.

with Louchakova-Schwartz, O. , Staudigl, M. (eds) , 2021, Open Theology 7.

with Koči, M. (eds) , 2020, Transforming the theological turn: phenomenology with Emmanuel Falque, Rowman & Littlefield, London.

, 2019a, Is violence inescapable?: Derrida, religion, and the irreducibility of violence, in L. Lauwaert, L. K. Smith & C. Sternad (eds.), Violence and meaning, Basingstoke, Palgrave Macmillan, pp. 111-133.

, 2019b, 'Ricoeur on violence and religion: or, violence gives rise to thought', Studia Phaenomenologica 19, 211-233.

, 2018a, How to overcome the world: Henry, Heidegger, and the post-secular, in M. Staudigl & J. Alvis (eds.), Phenomenology and the post-secular turn, London, Routledge.

, 2018b, 'Making sense of Heidegger's "phenomenology of the inconspicuous" or inapparent (Phänomenologie des Unscheinbaren)', Continental Philosophy Review 51 (2), 211-238.

, 2018c, The inconspicuous God: Heidegger, French phenomenology, and the theological turn, Indiana University Press, Bloomington, Ind.

, 2018d, 'The political as saturated phenomenon: Marion's givenness and the irreconcilability of politics and love', Journal for Cultural and Religious Theory 17 (2), 396-414.

with Staudigl, M. , 2018a, On secularism and its discontents: reconsidering the "return of the religious", in M. Staudigl & J. Alvis (eds.), Phenomenology and the post-secular turn, London, Routledge.

with Staudigl, M. , 2018b, Phenomenology and the post-secular turn: Reconsidering the "return of the religious", in M. Staudigl & J. Alvis (eds.), Phenomenology and the post-secular turn, London, Routledge.

with Staudigl, M. (eds) , 2018, Phenomenology and the post-secular turn: contemporary debates on the "return of religion", 2nd edn., Routledge, London.

, 2017, Review: , , Human Studies 40 (4), pp. 589-598.

, 2016, Marion and Derrida on the gift and desire: debating the generosity of things, Springer, Dordrecht.

, 2012a, 'Taking Kant to the picture show: a prolegomena to any future film theory', Glimpse 14, 1-8.